“Structure of Reality” is more a process than a finished work, resulting from the premonitions and intuitions I gathered while creating material on this subject. It’s a separate project I revisit several times a year, observing what changes within it, how it interacts with me, whether new contents emerge, or contexts are built upon.
Writing an article about this process has rekindled my interest and provides another occasion to peer into the lion’s maw.
Works in this field merge my interests in matter and rock with purely painterly issues such as color and trace.
Naturally, as always in the process of creation, an entire symbolic layer emerges, encompassing experiences of war, change, libido, and sexuality.
Change
The initial brutality of the gesture is filled with sensitivity. In creating this cycle, I operate in a highly intuitive manner that allows me to simultaneously capture both violent and subtle phenomena. I remain interested in movement, penetration, and transformation. The relationships between macro and micro realities, various waves, influences, and currents that in their relentless pursuit of their own goals and interests forge areas unique to themselves. The moment when one entity becomes another fascinates me.
Harmony?
Scope
As a living being, man finds himself amidst the influences of the macro and micro world and is also woven into the system of geopolitical conditions that he himself has shaped through the process of evolution, creating his own waves and movements. Viewing our place from this perspective, it no longer seems stable to us. Before our eyes stands a world full of exoticism and phenomena, brimming with life and destruction, where the only constant is the harmony of subsequent effects.
Constant