Trace = presence.
A symbol activates what culture has come to associate with it.
Move along the axis. Form shifts from presence to representation — and back again.
Practice
The practice examines processes through which experience is transformed into form, and form into meaning.
First axis — the single form
Second axis — the organisation of multiplicity
Works are grouped not by medium, but by the dominant way in which form and meaning are organized.
Second axis — the organisation of multiplicity
The second axis describes form once repeated and combined. It examines phenomena of juxtaposition, intentional and unintentional alike.
Move along the axis. Form shifts from presence to representation — and back again.
Working model
The process does not lead toward a final form. It develops through materialization, accumulation, overload, destruction, and reduction — before beginning again.
Experience / Context
The conceptual framework of this practice does not emerge independently of lived experience. Construction, destruction, and reconstruction find a material counterpart in Jasło — the artist's hometown, almost entirely destroyed during the Second World War and subsequently rebuilt. A place whose continuity was interrupted and whose identity had to be constructed anew becomes a point of reference for thinking about trace, absence, memory, and transformation.
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