Performance Not Anymore

Technical Specifications:

Piotr Kolanko
Not Anymore
Performance, video, object
Duration: 20 minutes

Not Anymore is part of a series of projects aimed at integrating the self and confronting the traumas of growing up with ADHD, high sensitivity, a sense of otherness, and social misfit.

In his work, the artist often explores themes of exclusion, rejection, the loss of safety and comfort, and prolonged exposure to high levels of stress. These actions serve a therapeutic function — helping to restore connection with the body, sensation, and conscious presence.

During the performance, the artist undertakes a symbolic act — applying onto his body words, labels, and judgments that have defined his identity over the years. In the final act, through immersion in dense blackness, he connects with his traumatized self, expressing understanding and compassion. At the same time, he draws a boundary between what has shaped him and what he now consciously chooses as a manifestation of his psyche and soma.

The performance becomes a symbolic process of transformation. As a side effect of the act, an action painting is created — an image that emerges from the washing away of black paint from the body, symbolizing a transition from darkness into light, a return to white.

The walk on the edge of the sun

What if Icarus, upon reaching the sun, discovered an unimaginable truth—not only about the nature of the sun itself, which turned out to be cold and angular, but above all about the nature of his own imaginings? It was they that caused him to burn long before reaching his destination. What happens when we cross the boundary of fear? The horizon begins to settle. The primordial storm and chaos give way to an emerging order. The world assumes its superposition, and we find ourselves in a place that no one had seen before—or that only a chosen few had ever been granted the chance to witness.   As the Polish rapper Pezet once said: “When I was falling, I wasn’t really falling, because I had learned how to fly.” Here, this line becomes not merely a commentary, but the axis around which the entire story revolves. This is an alternative story of Icarus, who, in falling, discovered another world—wild and exotic, yet at the same time familiar and primordial. The place he arrived at, however, was not the place he had set out to reach. . The walk on the edge of the sun Adrianna GajdziszewskaTwarda Sztuka, Curator and Visual

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Good is the enemy of better

Good is the enemy of better In this exhibition, I present primarily new forms made of steel. Steel is a material I grew up with. My father ran a company involved in the industrial production of steel machines. This entire industry, concentrated on Towarowa Street in Jasło, feels to me like a breath of emerging capitalism in Poland. When I think about that time, I see new housing blocks being built, steel cranes in the urban landscape, old prefab factories. I feel an atmosphere of hope and change that, as a child, I was only barely aware of. Goods from the West were flowing into Poland, the world was becoming colorful — we had pizza, Turbo chewing gum, Caro cigarettes and unfiltered Klubowe. This is how I now see the landscape of those years. In my father’s view, steel was a solid, durable, and trustworthy material. It seems that the rest of society shared this opinion as well. According to him, steel serves a purpose — it fulfills a function. It has no aesthetic value, but it does have properties: load resistance, elasticity, shrinkage, melting temperature. In his opinion, steel should be powder-coated — it should not be left raw,

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Never-more-Piotr-Kolanko

Performance Not Anymore

Technical Specifications: Piotr Kolanko Not Anymore Performance, video, object Duration: 20 minutes Not Anymore is part of a series of projects aimed at integrating the self and confronting the traumas of growing up with ADHD, high sensitivity, a sense of otherness, and social misfit. In his work, the artist often explores themes of exclusion, rejection, the loss of safety and comfort, and prolonged exposure to high levels of stress. These actions serve a therapeutic function — helping to restore connection with the body, sensation, and conscious presence. During the performance, the artist undertakes a symbolic act — applying onto his body words, labels, and judgments that have defined his identity over the years. In the final act, through immersion in dense blackness, he connects with his traumatized self, expressing understanding and compassion. At the same time, he draws a boundary between what has shaped him and what he now consciously chooses as a manifestation of his psyche and soma. The performance becomes a symbolic process of transformation. As a side effect of the act, an action painting is created — an image that emerges from the washing away of black paint from the body, symbolizing a transition from darkness into

Read More »
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